W.A.S.P came and the put on one strong show and brought the fans with them to prove it. You already know you’re going to be in for a treat when most of the fans have been seeing the band for 30+ years. A long standing career and dedicated fan base say a lot about a performer, and it definitely proved right for W.A.S.P. 

 Wolfmother, and over 20 years of stagecraft kicked in immediately. People often say they were a band born in the wrong era, but they've more than passed the test of time. Their signature 2000s-style riffs and tight drum fills had the whole room clapping in sync like a metronome.

After a a long year departure from the UK, Death From Above 1979 have returned for a one-off London show in the legendary Electric Ballroom in Camden, with previous openers and close friends of the band YAANG returning. 

“If you love what you do, you’ll never work a day in your life” is the same phrase that leads every creative into the depths of mental exhaustion.

Ozzy Osbourne, the pioneering figure behind Black Sabbath and one of the most influential voices in heavy music, has died at the age of 76. His passing comes less than a week after what would become his final public performance — a homecoming show in Birmingham that reunited the original Black Sabbath lineup on stage for the first time in decades.

Fresh off their headline gig at Green Door Store, Brighton five-piece Star Print Clad are proving themselves as one of the city’s most exciting new live acts. Before they took to the stage, we caught up with the band to talk influences, favourite tracks, and what comes next.

It may have been a Monday night but you wouldn’t have known that with the electric energy Cyan Kicks brought to their show.

At the beginning of April we released an Article called “The State of Grassroot Venues in 2025”, in which we discussed the real world issues that Grassroots venues are facing across the country.

Big Special made a splash last week (4th July 2025), unexpectedly releasing “National Average”, their highly-anticipated follow-up to the acclaimed 2024 album, “Postindustrial Hometown Blues.” In classic Big Special style, the album arrived without fanfare or prior announcement, instantly creating buzz among fans and music critics alike.

We’re Taking Applications for Writers, Journalists and Photographers to Join the FEATS team! Our goal is to shine a light on stories that so often get missed - And we want your help to do so!

Following a string of festival appearances and a pretty unforgettable Glasto set, Turnstile have confirmed they’ll be back in the UK this November for a headline run. It’s loud, it’s fast, and it’s going to be very sweaty.

In a world filled with so much noise, Especially with the AI slop that plagues our “for you” pages, standing out as a creative - whether that's as a Musician, Filmmaker or Content Creator - Can be an incredibly daunting undertaking that can sometimes feel like you’re simply shouting into the void.

Faetooth gathered probably the most packed crowd I’ve ever seen in the Arts Centre before, with their support acts ‘Kulk’ and ‘Cwfen’ doing more than just filling time - they were getting the crowd going, ready, and warming everyone up for a brilliant evening (or cooling seeing as there was many fans placed around the venue to keep the temperatures down!).

The Chainsmokers deliver a high-octane live experience that blurs the line between a concert and a full-blown party. Known for their seamless fusion of EDM and pop, the duo keeps the energy soaring from start to finish, constantly engaging with the crowd and turning the venue into one giant singalong—especially during massive hits like “Closer,” “Selfie,” and “Paris.”

Wrapping Up SXSW London Day 4 we had Coco & the Lost performing an acoustic set at Jaguar Shoes, with a emotional and impactful take on her normal energetic ‘cinematic pop’, she had crips vocals, and great humour between sets!

Despite it being a warm weekday night, Snake Eyes still brought their all to the table. And so did their second support, Rad Pitt, a punk, ‘math-rock’ band from Colchester, who’s vivacious energy got the audience going; with both their bassist and guitarist performing from the crowd-side of the barricade, creating a lively, interactive atmosphere.

SXSW came to London for the first time earlier this month, and we managed to catch it all! The festival was split into three components - Film, Music & Conferences. However, despite the big-name backing and buzz, this inaugural SXSW London felt light on substance, struggling to live up to the creative energy of its Austin counterpart.

We caught up with Sunday Best after their set at SXSW London to talk about their latest single, what being a DIY band means to them, and the artists they’d love to collaborate with.

Day 4 of SXSW London started with a fascinating talk chaired by Rob Levine (Editor At Large for Billboard), with Tobias Holzmüller (CEO of GEMA) & Jessica Richard (SVP for Public Policy for RIAA).

Then came Final Dose, whose stage presence and unique set certainly caught my attention; with the main vocalist arriving on stage with what seemed to be a bag over his head with eye holes. If this wasn’t enough their set boasted the use of very dim red lighting exclusively, paired with a smoke machine, to create an eerie atmosphere that paired wonderfully with their music and caused an interesting dynamic compared to the usual array of different lighting used by most artists.